Casa Monica Resort & Spa, Autograph Collection

A Moorish Revival Wedding Address in Historic St. Augustine

 

Introduction & History

On the corner where King Street meets Cordova and palm fronds sketch shadows across the pavement, the Casa Monica rises with the easy confidence of a landmark. Opened in 1888 and restored with almost filial devotion, the hotel is a study in Moorish Revival—keyhole arches, crenellated parapets, carved balconies—made hospitable and present. Couples step indoors and feel a degree of calm: turn of the last century form cools the air, patterned tile reads like a greeting, and the hum of the historic district softens to a convivial hush.

The building’s story is both romantic and practical. Conceived in a Gilded‑Age boom for beauty and welcome, it endured the lulls that all long lives contain and reemerged with its character intact. The Kessler Collection’s restoration favored integrity over reinvention—surfaces repaired rather than replaced, craftsmanship revealed rather than concealed. The interior looks cared for, not theatrical; rooms built for conversation and celebration outlast fashion because they remember why they were built.

Casa Monica’s strength as a wedding venue is balance: scale and soul keep each other company. Ballrooms with generous ceilings feel intimate when candles are low and tables are close enough for easy conversation. Courtyards hold sky the way a ceiling holds light. Loggias act like hallways that never rush you along. The architecture doesn’t demand decoration; it invites echo—florals, linens, menu cards, and music conversing with plaster and tile.

A wedding weekend here unfolds as a walkable story. Basilica bells lend a gentle cue; the seawall’s line of horizon offers a deep breath to guests who’ve traveled far; galleries and cafés provide small intermissions between the acts of the day. Elders appreciate how little is asked of their knees and hips; toddlers are charmed by fountains at eye level. In the background, the Atlantic’s breeze keeps time.

To choose a historic hotel is to choose a party with good bones: rooms designed for the sound of people at ease, stairs built to be climbed in formal shoes, doors that frame an entrance in a way a camera respects. Over the years, Casa Monica has welcomed governors and artists, philanthropists and newlyweds in equal measure. The common thread isn’t profile; it’s appetite for gatherings that feel inevitable—celebrations that seem to have been waiting for the right people to arrive.

History here is ballast, not burden. It steadies the room so a stray shower, a late boutonnière, or a giddy toast can become a charming part of the story rather than a crisis. In that steadiness lies the reason couples return for anniversary drinks: the sense that their celebration joined a continuum of well‑hosted evenings, each distinct, all related.

❧   ❦   ❧

​

Estate Overview & Architectural Grandeur

Casa Monica speaks of balance, time, and beauty with a language of architectual proportion. Arches cradle faces at a sympathetic scale; pierced screens scatter sunlight into pattern rather than glare; deep‑silled windows make soft boxes before photographers arrive with their own. The most successful designs listen to this language. Tables curve with the room; tall décor moves to the perimeter so sightlines stay generous; linens have texture you feel rather than pattern you must process. Candlelight multiplies on brass and glass; a palette in cream, terracotta, and olive reads like it belongs.

The plan solves flow before a coordinator lifts a pencil. Guests step from ceremony to loggia without losing each other. Mirrored bars halve lines instinctively. A clear sixty‑inch service lane traces the room so plates, cameras, and strollers travel without apology. When a space invites people to move the way they want to move, hosting becomes the pleasure it ought to be.

Lighting works in three layers: a warm base from house chandeliers; quiet, accurate pin‑spots for focal pieces; and a dance palette that reads twilight rather than nightclub. The room should breathe as the evening changes. A soft exhale on the dimmer as dinner begins makes the moment feel earned; a gentle lift for toasts returns faces to the center of the frame. When the band breaks, house light rises a whisper so conversation leans in.

Sound belongs to the room as much as the playlist. Plaster returns warmth; wood tames brightness. Aim mains with intention; keep monitors modest; let the MC be warm and brief. Speeches trimmed to gratitude and one true story hold attention because they feel like gifts rather than tests.

The architectural vocabulary simplifies print and signage. Serif faces with restrained flourishes echo carved wood and ironwork. Escort displays on brass easels feel appropriate without effort. Menus and programs sit comfortably on uncoated stock; wax seals and corded ties are optional rather than compulsory. Restraint reads as respect for the house and for the guest’s eye.

Guest‑count heuristics make decisions obvious. For 90–120, center a 20×20 dance floor and arc tables in concentric rings. For 150–180, widen the aisle by a foot, step the floor to 22 square, and add a satellite bar near the lounge. For 200+, set the floor at 24 square, run two full bars plus a zero‑proof station, and stage any theatrical culinary element—carving, flambé—on the perimeter where delight doesn’t become a traffic jam.

Diagramming best practices keep everyone aligned. Publish three stacked diagrams—guest layout, vendor infrastructure, and ADA routes—so each stakeholder reads the same map with their layer on top. Mark power with amperage, not just icons; draw cue points for lighting as numbers rather than names (“Q1 House 70%, Pin Cake, Band Practical”). A map that reads like a score turns a good team into an orchestra.

Finally, the building’s materials—plaster, tile, iron—love warm color temperature. Keep LED fixtures in the amber family for skin and candlelight. Avoid RGB shock during dinner. Save saturated color for the dance floor, aimed low and soft, so the room keeps its dignity while the party keeps its pulse.

❧   ❦   ❧

​

Ceremony & Reception Spaces

Vows are awaited, to be framed under an arch with natural light framing. Aisles open wide so trains and shoulders never graze chairs; ceremony officients  stand slightly off‑center to keep the couple the subject; musicians tuck into an alcove so sound arrives from somewhere elegant but visually quiet. Microphones are tuned for intimacy—present but never booming—and the script prints in a type large enough to read without a squint.

Cocktail hour is discovery disguised as ease. A server meets guests with a first sip before the question forms. The loggia offers long sightlines so friends rejoin naturally. Stations become neighborhoods rather than obstacles: a coastal raw bar bright with citrus; a tapas corner beneath a keyhole arch; a small pan where a chef toasts spices until the air smells like a promise.

Dinner restores ceremony to the everyday art of eating together. A centered floor lets energy radiate evenly. Speeches land between salad and entrée so gratitude has the room’s full attention; a gentle lift in house light keeps faces readable. The head table, if there is one, stays narrow so conversation doesn’t strain across a floral hedge. Sweetheart tables angle toward the room by a degree or two so photographs capture expression as much as silhouette.

Once the band begins, the room should feel smaller in the best way—people closer, conversation easier, the center of gravity obvious. Lounge groupings at the perimeter let grandparents and introverts stay part of the story without shouting. A late‑night bite appears when the floor needs a friend. If there is a private last dance, the cue is soft: a door closes, and music narrows to a circle of amber light where the couple began.

Indoor Plan A / Outdoor Plan A: When the forecast is kind, vows live outdoors with stucco as reflector and palms as punctuation; cocktail hour trails into the loggia; dinner glows under chandeliers. Indoor Plan B: The arch moves inside against plaster and looks as if it always belonged there; musicians shift to a balcony; portraits lean into windows and stair landings. Plan C (Lightning): The ceremony compresses in time and footprint; the story remains the same—only the chapter breaks move.

A few favored room configurations become templates. For 110–140 seated: two mirrored bars at the room’s short sides, 20×20 floor at center, twelve rounds with clear lanes, cake at a corner pin‑spot. For 160–190: 22×22 floor, two satellite stations near lounges, band riser opposite the head table, cake vignette near the entrance so every late guest receives delight before apology.

Throughout, circulation is the unsung hero. Seat counts obey exits; service lanes remain clear; photographers have marked perches for the first dance and toasts so they move like shadows rather than traffic. When the plan honors the way bodies want to move, the party reads effortless.

❧   ❦   ❧

​

Amenities & Services

Casa Monica creates the art of service as a quiet choreography. Bridal preparation suites are bright and calm; mirrors face windows so light is flattering; garment racks roll easily over thresholds; snacks are bite‑size and scent‑neutral. A steamer hisses discreetly in a corner; a sewing kit appears before anyone asks. What guests register is a feeling: nothing is hard.

Timelines answer to light and appetite rather than doctrine. Winter welcomes at half‑past four, seats at five, recesses to cocktails at five‑thirty, opens dinner just after six. Summer leans toward blue hour. The couple is protected for ten private minutes with a plate and a breath before they rejoin. The difference between a schedule and a score is whether anyone has to read it to stay in step.

Standards collect the unglamorous details that protect beauty. Flame lives under glass where code requires it. Cables are taped where trained feet will cross. Elevators are staffed during transitions. Accessibility is visible and unembarrassed: aisle seats reserved for companions, ramps measured with a chair rather than a ruler, restrooms mapped clearly in the welcome note.

Sustainability is practiced, not posted. Foam‑free mechanics and rental vessels keep waste low; water stations live where guests actually pass; candles match a warm color temperature even when battery‑powered. Bars give zero‑proof parity in stemware and garnish so every guest holds something handsome in photos.

Communication keeps grace intact. Vendors share a single diagram with load routes, power, and service lanes. Families receive only the notes that apply to them and no more. Lighting rides soft curves so the room never blinks. At each cue, the right person looks up because someone kind told them when to do it.

❧   ❦   ❧

​

Why Couples Choose Casa Monica & Reviews

Because it feels like them. The architecture lends formality without stiffness; the city offers discovery at a humane pace; movement feels easy because the building was designed for it. Parents are included without being conscripted. Grandparents see and hear every moment. Out‑of‑town friends turn a weekend into a small, sunny adventure on foot.

Review themes repeat with comforting regularity: rain plans that looked like choices rather than fallbacks; dinner that glowed even from the back of the room; lines that never formed; a timeline that breathed. People remember feelings more than features, and the feelings here tend to be welcome, care, and time used well.

Vendors appreciate the house as much as families do. Load routes make sense. Electrical drops are where they belong. A coordinator with a calm voice stands where one ought to stand. When professionals feel looked after, their work looks effortless.

Local couples choose Casa Monica because it belongs to their city without being ordinary; destination couples choose it because it compresses planning complexity into a walkable core. Both end up with photographs that could only have been taken here—tile and ironwork, arches and palms—and stories that travel farther than the registry.

• “Our rain plan was gorgeous. Guests assumed it was Plan A.”

• “Dinner looked like a painting and sounded like conversation.”

• “We felt guided but never handled.”

• “My grandfather heard every word of the vows.”

• “The weekend felt inevitable, like it had been waiting for us.”

❧   ❦   ❧

​

Heritage, Setting & Signature Moments

Moorish Revival gives hosts a vocabulary that reads international and local at once. Arches embrace rather than dominate. Pattern lives in tile and screen, not every surface. Brass, wood, and plaster make candlelight look like it belongs. You do not stage the hotel; you listen to it.

Signature moments prefer proportion to spectacle. A chuppah or arbor scales to the arch instead of breaking past it. Floral climbs frame the couple while leaving faces visible. Menu cards borrow a serif with a small flourish, a nod rather than a quote. The cake sits on a simple plinth with one stem and a pin of warm light. Guests recognize the room they walked into, made tender for the purpose at hand.

The city joins quietly—Basilica bells, a busker at a distance, the line of horizon where the bay meets the sky. Your shuttle plan keeps the neighborhood in mind; your band aims mains so lyrics don’t travel farther than the party; your exit is cinematic without feeling like a parade. Hospitality extends beyond the guest list.

Traditions find natural homes in the building’s rooms. Ketubah signings settle in a salon with generous light. Tea ceremonies breathe on a landing where elders can sit with dignity. Blessings happen within a circle of friends held by a curve of plaster and wood. The house respects ceremony by making it comfortable.

For couples building a multi‑day story, the hotel’s rhythm helps. A welcome party in the lounge gives way to a quiet rehearsal dinner in a private room. Morning portraits on staircases and balconies become a walk through the Plaza. A farewell brunch returns people to themselves with coffee, shade, and a last unhurried hour.

Details last when they are rooted in place. Citrus and herbs at the bar read coastal and fresh. Escort displays borrow a carved frame rather than a neon flourish. A musician plays Spanish guitar at cocktail hour not because a brochure suggested it, but because the sound fits the room and the room returns it kindly.

❧   ❦   ❧

​

Photography Aesthetic & Photo‑Videographers

Casa Monica is generous to cameras. Arches provide direction for faces; mezzanine windows offer soft boxes on rainy days; stair landings make studios with one key and one edge light. A working plan includes three portrait routes—full sun, overcast, and rain—so the schedule is inoculated against weather. During vows, the officiant steps aside for the kiss; microphones stay modest; the aisle remains a path for emotion and for a lens that knows how to read it.

The cake vignette deserves a pedestal, a pin, and a breath of air so hands and knives move gracefully. For first dance, a gentle backlight adds separation without flash pops that distract. If the band brings haze, use the faintest touch so beams read dimensional rather than smoky. In the lounge, practical bulbs keep color true so skin looks like skin.

Videographers win with disciplined audio: a lav on the officiant, a secondary recorder at the lectern, and a clean board feed for toasts. They test house mains during soundcheck and walk the perimeter to learn where sound blooms and where it thins. Delivery timelines include a quiet archival plan—the unromantic but essential promise that your film will be there when you want to see it again.

Time portraits with the city. Blue hour on the seawall yields a ribbon of horizon and the Bridge of Lions waking up behind you. Midday, keep to shade and stucco. After dark, work with practicals first and add light only where the room asks for it. The goal is not to prove what the camera can do; it is to let your weekend look like your weekend.

• Elan Nicol Film & Photo / Orbit East Productions — Celebrated for natural‑light imagery capturing both grandeur and intimacy.

• Tonya Beaver Photography — Natural‑light imagery balancing grandeur and intimacy.

• Agnes Lopez Photography — Refined editorial style with classic portraiture.

• We Are The Bowsers — Cinematic films by a husband‑and‑wife team.

• Sarah Hedden Photography — Candid documentary coverage with elegant composition.

❧   ❦   ❧

​

Local Attractions & Cultural Enrichment

A downtown celebration is also an easy weekend. In welcome notes, share a walking map with time estimates and accessibility notes: Cathedral Basilica to the Plaza greens, Lightner’s cloistered courtyard, Flagler’s rotunda, and a seawall pause at dusk. Mark shaded benches and restrooms. Clarity reads as care.

Families with children can climb the Lighthouse in the morning and nap by early afternoon; friends can browse St. George Street and meet at the Plaza for music while the band sets up back at the hotel. If guests want a day trip, the dunes at Anastasia State Park and the beaches north toward Ponte Vedra offer salt and space.

For those extending their stay into Jacksonville’s cultural core, the region’s institutions round out the itinerary—a short list below pairs naturally with a Casa Monica weekend.

• Jacksonville Symphony — A cornerstone of the city’s cultural life.

• Cummer Museum of Art & Gardens — European & American collections with riverfront gardens.

• MOCA Jacksonville (at UNF) — Contemporary art in the heart of downtown.

• Florida Theatre — Historic venue for concerts and performances.

• Ritz Theatre & Museum — African American heritage and culture.

• St. Augustine Historic District & Castillo de San Marcos — Spanish colonial history and bayfront views.

• Atlantic & Neptune Beaches — Sun, surf, and seaside cafes.

• Jacksonville Zoo & Gardens — Beloved family attraction with botanical displays.

• Beaches & Amelia Island — Idyllic stretches of sand and a charming historic town.

❧   ❦   ❧

​

Accommodations

Anchor the room block at Casa Monica so the couple and immediate family remain in the historic core. Then round out capacity with boutique inns and waterfront hotels nearby, plus oceanfront properties for guests who want morning walks on the sand. Publish valet instructions, drop‑off points, and a shuttle loop that completes in under twelve minutes. In your welcome, say the quiet parts out loud: the best rideshare pin, where to find coffee at 7 a.m., and the easy route to the seawall without steps.

Group VIPs on a low floor near elevators; reserve accessible rooms; hold a couple of cribs and a rollaway in advance. If Nights of Lights overlaps your date, encourage early booking and offer an alternate parking plan for local guests. House style travels best when logistics are transparent.

A few recommended stays—mixing the historic core with oceanfront and nearby luxury—appear below.

• Casa Monica Resort & Spa — Landmark host hotel in the historic district.

• The Collector Luxury Inn & Gardens — Boutique inn across an acre of gardens.

• Bayfront Marin House — Waterfront B&B with porches and views.

• Marker 8 Hotel & Marina — Modern rooms overlooking the bayfront.

• Embassy Suites St. Augustine Beach — Oceanfront suites ideal for families.

• Ponte Vedra Inn & Club — Historic oceanfront resort with golf and spa.

• The Ritz‑Carlton, Amelia Island — Sweeping ocean views and notable dining.

• The Lodge & Club at Ponte Vedra Beach — Romantic beachfront accommodations.

• Omni Jacksonville Hotel — Downtown convenience and river views.

• Marriott Jacksonville Downtown — Comfort and convenience in the urban core.

• Hyatt Regency Jacksonville Riverfront — River views and event‑week amenities.

• Watson Property Management — Curated home rentals for groups and families.

❧   ❦   ❧

​

Culinary Excellence, Wedding Cakes & Bakeries

The kitchen’s style is coastal, seasonal, and calm. Cocktail hour favors bright, one‑bite pieces designed to travel: a citrus‑cured bite that tastes like the breeze outside; a warm tart that reads celebratory without risking a stain. Dinner lands in unison so the room feels like one long table. Vegetarian and gluten‑free courses are plated with parity—no one reads as an exception in photos or on the palate.

Zero‑proof cocktails enjoy full parity in glassware, garnish, and storytelling. A rosemary‑grapefruit spritz in crystal looks like celebration because it is. Bars are staffed to move with grace; ice and citrus are positioned where hands find them without looking; water stations are where people truly pass by. Late‑night snacks choose comfort over novelty and arrive at the moment the floor needs fuel.

Tastings mirror service—plated if plated, stations if stations—so expectation aligns with experience. A small printed note can give dishes a provenance guests remember: Florida grouper with fennel and citrus; vinaigrette touched with local honey; a family dessert made anew by the pastry team. Menu cards list allergens discreetly; servers confirm rather than announce.

Sample plated path: a crudo with citrus and herb oil; a salad that eats like a course (greens, stone fruit, almond); choice of fish with a bright sauce, a roasted poultry with jus, or a vegetable main that respects appetite. A composed dessert follows—or cake served in motion while the band plays a short celebration set.

Sample stations path: a raw bar and ceviche with lime and cilantro; a Mediterranean table with grilled vegetables, grains, and spreads; a carving station with an herb crust and proper sauces; a pasta pan working in view without smoke or drama. Seating remains generous—stations please the restless, not punish the tired.

The cake vignette earns a pedestal and a pin. Flavors are labeled legibly; slices move swiftly to a station so the floor remains the center of the room. A groom’s cake, if included, stays witty rather than loud; the best designs borrow proportion from the building instead of competing with it. Dessert tables are reachable from two sides so delight doesn’t become a bottleneck.

Regional cake studios and dessert houses include:

• Sweet by Holly — Custom wedding cakes and nationally recognized cupcakes.

• Cinotti’s Bakery — Family‑owned institution with timeless craftsmanship.

• Classic Cakes — Multi‑tier confections blending classic and modern.

• Choux Cake Studio — Boutique studio celebrated for couture sugar work.

• AlleyCakes Dessert Company — Artistic custom cakes and dessert tables.

• Amaretti Desserts — Elegant European‑inspired cakes and pastries.

• Creme de la Cocoa — Award‑winning dessert studio in St. Augustine.

❧   ❦   ❧

​

Wedding Planners & Coordination

The right planner is an editor, translator, and guardian. They translate values into diagrams, time emotion so it can be felt, and defend the day from small emergencies without announcing the battle. Rehearsal is brief and confident. Families receive what applies to them and nothing more. Vendors share one accurate map with guest, vendor, and ADA layers in agreement.

Budgets read best when aligned to values: guest comfort first (audible sound, clear sightlines, no bottlenecks), mood second (light and florals that frame), flourish third (a statement vignette where the camera wants it). With that sequence, the evening reads intentional rather than expensive.

At Casa Monica, rain plans are designed to be chosen even if the forecast changes its mind; transitions are rehearsed so no one is surprised; lighting notes move from warm whites to a twilight dance palette in soft curves, not jolts. A quiet five minutes is protected for the couple after the recessional and again before the floor opens—the gentlest insurance that memory keeps pace with the moment.

• Jacksonville Wedding Styles — Full‑service planners for estates and waterfront venues.

• Uncorked Occasions — Personalized service and artfully curated experiences.

• Southern Charm Events — Trusted for both grand and intimate celebrations.

• Unforgettable Events — Luxury‑minded planning with meticulous detail.

• Blue Ribbon Weddings — Design‑forward, detail‑driven team.

• Adair Currie Events — Boutique planning and refined coordination.

• Coastal Coordinating — Local fluency and polished execution.

❧   ❦   ❧

​

Wedding Bands & Entertainment

Music should fit the room the way a suit fits its wearer—clean lines, no strain. In carved wood and plaster, clarity beats volume. Aim mains with intention; keep monitors modest; align lighting with dynamics rather than decibels. The MC is warm and brief, giving the room back to guests after each cue.

A short celebration set before entrées lifts energy without breaking appetite; the anchor set lands after cake to keep the floor. Specialty moments—a horn walk‑through, a jazz trio at nightcap—add texture without stealing the plot. If you love a sing‑along, print one verse discreetly on the program; sincerity photographs better than surprise.

• The Chris Thomas Band — Swing, jazz, and big‑band presence.

• Bay Kings Band — Versatile repertoire from Motown to modern.

• Who Rescued Who — Upbeat Jacksonville favorite.

• The Band Be Easy — High‑energy crowd‑pleaser.

• The Faze Band — Classic party band with range.

• Bold City Classics — Motown, soul, and current hits.

• DJ Jacob Towe — Live mixing with coordinated lighting.

• DJ EL — Custom playlists and polished production.

❧   ❦   ❧

​

Florists & Botanical Design

Florals at Casa Monica work best when they underline the architecture rather than argue with it. Low arrangements protect conversation and reaction; arch climbs and perimeter pieces add scale without stealing the frame. Borrow palette from tile and wood—terracotta, cream, olive—with one lifted note (saffron, fig, coral) reserved for bouquets and small pieces.

Sustainability is part of craft: foam‑free mechanics where possible, rental vessels, donation or take‑home plans that keep stems out of bins, and candle strategies that match flame color even when batteries are required. The result feels generous and reads conscientious.

Choose teams who make beauty move. Ceremony pieces should find a second life at dinner; personals should be conditioned for a long day of photographs; installations should be engineered for breeze and for cameras. The work should look as easy as it was not.

• A Happily Ever After Floral — Lush, romantic arrangements with seasonal flair.

• Gladiola Girls — Dramatic, color‑forward installations.

• Rose of Sharon European Florist — Refined, European‑inspired artistry.

• Parker Events — Event design paired with floral mastery.

• Liz Stewart Floral Design — Elegant, garden‑inspired designs.

• Floriade Florist — Fresh, seasonal florals and classic compositions.

• Aime Peterson Flowers — Classic palettes with modern lines.

• Ruby Red Floral & Garden — Textural designs with bold color.

❧   ❦   ❧

​

Seasonal Considerations

St. Augustine rewards attention to season. Spring (March–May) glows—mild temperatures, jasmine in the air, generous blue hour. Ceremonies begin earlier than you think and later than you fear; portraits carry a rain route that leans into windows and arches. Fans on chairs, a water station by the aisle, and sunscreen tucked into hospitality baskets read as care.

Summer (June–August) asks for shade, hydration, and later starts. Welcome indoors, ceremony toward blue hour, dinner opening at twilight, and a lighter dessert to buoy the floor. Printed fans, cool towels, parasols at midday, and bright zero‑proof spritzes meet guests where they are. Rain plans are honest and handsome; lightning is met with confidence, not stubbornness.

Autumn (September–November) gives long twilights and calm evenings. Breeze becomes a character at cocktail hour; linens gain a fuller weave; colors deepen by a tone. Hurricanes are rare but not fictional—have an information plan that is calm and specific. Winter (December–February) offers crisp skies and rooms that adore candlelight. Nights of Lights brings beauty and crowds—book blocks early, run clear shuttles, and publish a gentle note about traffic and patience.

Month‑by‑month: **March** (flowers, soft light, plan for breeze); **April** (prime season, book vendors early); **May** (warm afternoons, glorious evenings). **June** (afternoon storms, aim ceremony late); **July** (heat strategy is hospitality); **August** (most humid—lean indoors). **September** (shoulder month, beautiful twilights); **October** (beloved—cool and calm); **November** (mild, early sunsets). **December** (festive, Nights of Lights); **January** (crisp, elegant candle seasons); **February** (cool mornings, gentle afternoons).

Whatever the month, publish one honest line about attire in your welcome: shoes for cobblestones, a shawl for evening breeze, sunscreen for midday. That sentence saves a dozen questions and a handful of blisters.

❧   ❦   ❧

​

Contact Information & Booking

Address: 95 Cordova Street, St. Augustine, FL 32084

Website: Casa Monica Resort & Spa — Weddings

When you inquire, include guest‑count range, ceremony location and time, traditions you plan to honor, and three words for design intent. Request sample timelines, layered diagrams (guest, vendor, ADA), a preliminary lighting cue stack, and bar options with zero‑proof parity. Clear inputs make for graceful outputs.

❧   ❦   ❧

​

Transportation & Accessibility

Downtown is effortless with a good map. Share the precise drop‑off address (with a photo of the door), a shuttle loop that closes in under twelve minutes, and last‑shuttle times posted at bars and exits. Greeters walk guests to decisions rather than pointing from a distance. Wayfinding signs use large type and plain language; direction is a hospitality job, not a test.

Accessibility is operational, not rhetorical. Elevators are staffed at transitions; curb cuts are noted on diagrams; an aisle seat is reserved for a companion without anyone asking twice. A quiet room sits near but not inside the party, and staff treat it as part of the plan, not an exception. The measure of an accommodation is that it feels ordinary to the person who needs it.

For finales, beauty and courtesy coexist. Sparkler arches are supervised and swift; ribbon wands become a graceful, zero‑flame alternative on breezy nights. The sidewalk looks as though a celebration passed—because one did—and the neighbors sleep just fine.